The Instagram-based group, MobileArtistry, includes me in their gallery today as a featured artist. I created this montage as an example of my style for the feature and did the following writeup on my technique. My huge thanks to them for the highlight.
Ever since seeing a book of Jerry Uelsmann’s photomontages in college, I’ve been fascinated with the art form and have since become motivated to become a professional graphic artist, designing for over 16 years now. Manipulating reality for artistic effect in Photoshop has always been my favorite part of designing, so when I discovered iPhoneography, and especially the app Photoforge2, which is very similar to Photoshop, I was hooked. It was seeing the evocative iPhoneography of Sion Fullana that inspired me to give it a go, and Sion was even good enough to share his guidance with me on what apps to get started with.
How The Magic Happens
I basically take photos all the time with my iPhone 4 of whatever I find interesting. When the urge to create strikes, I’ll mix ‘em up and see what happens. It’s really as simple as that. Sometimes I know exactly where I’m headed, and other times I’m just along for the ride, letting magic from the universe do the driving.
For this montage, I combined two photos I took on a Saturday in late summer: one of a wig mannequin at a beauty supply shop, and another of a rising cloud at a winery out in the country. Both were shot originally in with Hipstamatic, using the John S. lens. Wig girl was shot with Rock BW-11 film, and the cloud was shot with Blanko film. You can see the originals at my Flickr stream.
I brought wig girl into Dynamic Light and gave her the Solarize treatment. I also used Noir to get the right mix of monochrome highlights in the cloud scene. Next, I brought both images together in Photoforge2, each on its own layer. I set wig girl’s blending mode to Overlay, then selectively hid and revealed bits of each layer via masking. Finally, I did some minor cloning cleanup in Filterstorm, then added the copyright & signature with Phonto. I named this after a U2 song lyric in “Gone,” an expansive rising track that seemed appropriate for this composition.
What’s amazing to me is how, as I’ve become adept with a few apps, I can pull techniques from each of them almost like selecting colors on a palette. It’s like having a box of tools to achieve an artistic vision… that fits in your pocket and makes phone calls, too.