At the beginning of this year I made it a point to get in the habit of using Evernote. I’ve kept reading its praises and since I’m in the world of collecting ideas for future blog posts, it made enough sense to give it a try.
I should say that I’ve previously relied on emailing myself ideas, links, images and other content, filing them away under “read later” or “ideas” in Gmail. This has kinda worked, but I don’t really find myself going through that content often. The idea of a standalone app dedicated to capturing ideas and organizing them at least makes sense to me for that reason. I get the concept, but it’s still taking work to make myself use the program.
Part of the adoption curve for me is having content actually in Evernote. Without many notes to search, there’s not much to draw from, so I can see how some users may get turned off if, say, within a week or two they aren’t reaping tremendous benefit.
But so far for me, it’s been at least good for peace of mind, knowing that all the stuff I’d otherwise be emailing myself is now tagged and easily referenced. In fact, it was the process of going through my notes in Evernote that led to this blog post, so hey… there’s something! I’m interested enough to keep using it, and I’m surely only scratching the surface, given the capabilities some of its power users explore. There will be more to come on this for sure.
What do you think? Do you use Evernote or a similar service? What’s your process for capturing ideas, to-dos or things go investigate later? Let us hear from you in the comments.
The iPhone app Dynamic Light by Mediachance has become one of my favorite photo manipulation tools. I create many black & white montages, and Dynamic Light’s unique filters (especially “solarize,” “edgy,” and “re-exposure”) almost always yield interesting results — either for montage fodder or even standalone images. It saves at full resolution, is very fast, and improves with each update. It adds an element of randomness to the photo editing process that I enjoy, yet its effects are actually very sophisticated, particularly for producing distressed or distorted-yet-recognizable treatments. I recommend it for anyone looking for a simple, yet very unique bag of tricks to add to their photo manipulating repertoire, for less than the price of a soda ($.99). Here are some before and after examples of my favorite filters:
Edgy
Re-Exposure
Solarize
Video: Dynamic Light in Action
What do you think? Ever used Dynamic Light? What are some of your go-to photo manipulation or photo editing apps? Let us hear from you in the comments.
I don’t see what all the hubbub over the latest meteor in Russia is all about. I mean, based on this documentary of what happened with the Tunguska meteor event in the early 1900s, clearly the proper authorities are on top of things. This film happens to be set to the music of Metallica, but there are subtitles, so feel free to watch with the sound lowered if this type of music isn’t your fare.
And here’s another Russian meteor video featuring the music of Leona Lewis. No word from scientists yet as to whether the music triggered this most recent event as some type of wrath from the heavens.
What do you think? Ever seen a meteor streak across the sky? Anything to be concerned about here? Let us hear from you in the comments.
I dig the convergence of technology and time here in one brief second, now extended to the world and infinity. Here’s a snapshot of one of our modern photographic ancestors I modified with the amazing ToonPaint iPhone app, after shooting with Hipstamtic (a modern-retro simulator, no less). I found the camera at a sweet vintage shop called “Ideas” on Burke Street, Winston-Salem, NC. Original here.
What do you think? Do you see a connection between analog cameras and today’s mobile photography? What apps or camera discoveries have you made lately? Let us hear from you in the comments.
Has the way you live evovled by way of a smartphone app? What’s a non-standard add-on (besides maps, texting, etc.) that’s changed – hopefully for the better – the way you conduct daily life? Not necessarily saying they’re the very best, here are my immediate top three:
1. Instagram
This app has literally changed the way I see the world and connected me with people from all over the globe through a very user-friendly interface, turning ordinary snapshots into art with the barest minimum of effort. I now see the world through “Instagram Eyes” and have gotten so much from what it offers Although the recent spam influx and terms of service update now have me exploring elsewhere, there’s no denying Instagram’s impact.
2. Dragon Dictation
This app listens to what you say and turns it into text. It’s like magic. It’s fast, intuitive, and lets you easily email, MMS, or copy and paste what you say. I’ve used it for years to handle texting and composing blog posts, and it accurately gets the job done every single time. It’s been life-changing by by bringing my phone new functionality with incredible convenience and capability. Now that speech-to-text is built into the iPhone, I’ve been using Dragon less, but they were the ones to get it right first.
3. Pandora
This is the mobile version of the already robust website, but I mention it here because of how it’s impacted my enjoyment of music. Pandora is streaming radio where you create stations based on artists, songs or themes. It serves up related music, and gets better over time as you thumbs-up or thumbs-down what plays. I couldn’t begin tell you how much great music I’ve discovered this way. It’s a simple premise: “if you like this, then you might also like this” — and Pandora’s highly personalized approach wins the day for me, even though I also enjoy similar services like 8Tracks. Even TheStreet.com says Pandora has “rendered terrestrial radio, on a grand scale, obsolete.” Consider how long radio has been in our lives as you consider that statement.
What do you think? What apps have made a difference in the way you do things? Let us hear from you in the comments.
I just had my first whirl with the new Flickr mobile app. And… woah. It’s good. I mean really good.
Flickr’s New App. Shown here with the “Mammoth” filter. Look out, Instagram…
The new Flickr app for iPhone sports filters, easy browsing, a nice uploading interface… all on top of Flickr’s superb online Pinterest & Twitter integration. Overall, I must say it looks like Instagram got Flickr to step up its game. To that I say, well-played, Flickr. Well-played indeed.
Operation: Target Instagram
If Instagram feels like it’s in the crosshairs, it’s with good reason. I had long been a fan of Flickr for general storage, but gravitated toward Instagram for the image discovery & immediacy of sharing. I have a feeling that’s going to change. And not just for me — I know more than a few folks who have been less than pleased with and seeking alternatives to Instagram lately thanks to spam or yanking its previews from Twitter.
This is not to say it’s perfect. It’s still not as snappy as Instagram, since applying filters and edits takes a bit longer — but you can do meaningful edits right from within the app like adding text, brightness/contrast, and basic retouching. You have to use a separate 3rd party app at present to do any of that for an Instagram upload. Conversely, features like the ability to tag people in photos, browse your favorite groups, and do batch uploads (thanks, Emily @_@) were already baked into Flickr. Having these tools now in the mobile app — along with just basic functionality like being able to zoom in — makes Flickr’s app superior to Instagram on a number of noticeably important fronts.
Given the massive leap forward of this latest edition, I’m optimistic that things will only improve further for Flickr going forward. Here’s a closer look with video of the new app from Flickr’s blog:
What do you think? Are you a fan of Instagram or other online photo networks? What’s your experience with Flickr been like? Let us hear from you in the comments.
I’m a total news junkie. Always reading, listening, scanning; it’s fun for me. And I’m a music geek — that’s practically a religion. So of course I was interested in this story about Brian Eno reported by MarketPlace Tech Report, available via SoundCloud.
Photo: Brian Eno | Edit: rsmithing | Click for original
Eno has just launched a musical app, Scape, that gives listeners a new system for interacting with the sounds. Interestingly, Eno & his team developed the concept for this years before we all had smartphones and tablets. He describes it as:
…the move from one type of composer to another: the “let’s push the boat out together & see where it lands” type.
Scape App
So as listeners, we have the opportunity to be something more, while using an artist’s input to make our own creation. Not unlike Instagram, or audio mashups like those by John Boswell, aka Melodysheep.
Who is Brian Eno?
I’ve never listened to much Brian Eno music, but I thought I’d give this interview a chance. Wow, am I glad I did. Eno is a deep musical thinker, which makes for a highly interesting listen, especially considering his perspective, having worked on such a breadth of projects. Many of my favorite artists have either worked with or referenced him regularly (Depeche Mode, NIN, Devo).
The guy is quite eloquent. Here are some quips from the full interview:
On his new album: “A closely-guarded secret launched onto an ocean of indifference.”
On using Scape: “You’re making an ecosystem of sounds. You’ve got quite a few creatures you can put into this little garden here.”
On curation: “We’re going to have to come up with this type of system to short circuit the vast amount of material that’s out there for us to look at now.”
Putting curation into practice, Eno has a friend whose taste he admires send him a mix CD of new music each month… but doesn’t get the list of artists and songs until one month later, in order to “listen without prejudice,” since as a professional musician, he isn’t necessarily listening to as much music as he might be creating. It’s an interesting concept, especially to hear Eno himself describe it (at about 15:32)…
SoundCloud: I Like It
Besides the content, what really motivated me to blog about this interview was the opportunity to explore SoundCloud at the same time. SoundCloud is a site I’m becoming more pleased with every time I interact with it.
I started listening to the interview on my iPhone through iTunes, having subscribed to the podcast previously. In the brief 4-minute story from the podcast, the host referred listeners to the extended version at the MarketplaceTech.org site. I keyed that in and found a link to the full interview, which played on my phone effortlessly over 3G, streaming through SoundCloud. Having previously registered at the site, I was able to add it to my list of “likes,” and embed a clip here on the blog afterward, since I emailed myself a link and tweeted about it from the site’s mobile page:
It’s great to discover and interact with something new — successfully, enjoyably and consistently like SoundCloud.
What do you think? Are you a fan of Brian Eno’s music? What other collaborative art examples does this bring to your mind? Do you have any experience with SoundCloud or similar sites? Let us hear from you in the comments.
Instagram, meet your ancestors: an exhibit’s digital version bridges the generations of old school photo manipulation and our social media-fueled image sharing obsessions.
There’s an astounding display of pre-computer-era photomontage and photomanipulation now exhibiting at The Metropolitan Museum of Art in New York City: Faking It: Manipulated Photography Before Photoshop. It’s got everything from vintage trickery to surrealist expressions, all done before the advent of digital tools like Photoshop. In a beautiful irony, the exhibition is made possible by Adobe, makers of the Photoshop software.
But you don’t have visit NYC to see it…
What’s amazing to me, and what inspired this post, is that there’s an equally astounding digital representation of the works available for your browsing pleasure – more than 200 in all. Online, for free. Which is pretty darned sweet.
Click this link at the site and enjoy.
An innocuous “Works in the Exhibition” link just above the fold at The Met’s website takes you to an incredible look at what’s inside. I call it incredible not just for the content (which is beyond incredible to me), but because it exists online for our easy perusal and sharing. I’m thrilled not only to see such amazing art here, but also to see The Met’s embracing of the digital community in order to promote the exhibit.
The site features an elegant photo slide show, complete with sharing functionality to Pinterest, Tumblr, StumbleUpon and other networks. They even offer hi-res jpegs of some of the works for extra-close viewing or downloading via fullscreen mode.
There’s an app for that, of course
Perhaps you would prefer to view these works on your iPad? No problem. The free iPad app accompanying the exhibition offers easy browsing of a handful of the included works and an interactive quiz exploring the motivations and techniques.
The app’s target audience seems to be the kids, and I bet this would make a fascinating case to a young creative mind about the power of photo manipulation as art and the importance of questioning what we see – with the latter becoming ever more important considering the issues raised by digital photo editing and popular notions of beauty.
More than just “fakes”
Long before Instagram or Photoshop, there was darkroom wizardry. What got me interested in the exhibit in the first place was its inclusion of amazing photomontage art from the likes of Jerry Uelsmann (my all-time top inspiration) and Angus McBean:
Jerry Uelsmann, “Untitled,” 1976. Angus McBean, “Christmas Card,” 1949,
In my opinion, the app and companion website add tremendous value to the whole endeavor, allowing people to connect and interact with historically relevant art in ways that are common these days because of experiences like Instagram, Pinterest – and especially Photoshop. Huge props to Adobe for sponsoring this.
Thanks to the Met’s generous actions in the digital realm, I’m even more inclined now to physically visit the museum, see these works in person and probably buy a catalogue in the meantime (and speaking of catalogues, check out these other more than 300 Met Museum catalogues downloadable for free).
Having been a graphic artist for many years, I’ve practically lived in Photoshop as an operating system, and working there is my favorite part of design, more so than typography or arranging layouts – leading right up to today with my own iPhone photomontage creations:
“The Aha Moment” More of my stuff at Pinterest or 500px.
I’m happy to have signed up for a My Met membership thanks to this excellent digital representation, and I’m looking forward to seeing more of what’s to come – something I hadn’t much considered until discovering the online component of this exhibit. Props to The Met for harnessing and embracing the power of the Internet for cultural benefit. Now go visit The Met’s site, metmuseum.org and discover something cool for yourself.
What do you think? Does such open sharing increase or decrease the value of museum offerings? Or is that a non-issue in our world of mobile photography, photo-sharing networks and interconnectedness? Share your thoughts in the comments.
I have a fascination with aeronautics, aerospace and aviation. I don’t claim to technically understand much about them, but I think aspects of these fields are fascinating and important. That’s why I’m excited for Sunday, when NASA will be living through a very real seven minutes of terror vividly portrayed in this video about landing the Curiosity rover on Mars.
This video is just over five minutes long, and it’s exciting – but not as exciting as the seven minutes of burning anticipation a team of dedicated people are going to have to endure Sunday night (10:31 PST), wondering if their baby has made it to its destination, safe and sound as planned. Props to the NASA PR / Outreach / Education teams for bringing this story to us with dramatic flair.
Mars: Our Generation’s Moon Landing
Since I wasn’t around for the work leading up to the moon landing, this is my guess at what that must have been like. In all the years leading up to Americans walking on the moon, there were many missions like these just getting the logistics figured out. And wow – there are plenty of logistics.
Just think about it: we can see the moon from Earth, even observing features of its surface with our unaided eyes. With Mars, there’s a 14-minute delay from the time signals are sent until the they’re even received here. Thank goodness Curiosity is on Twitter:
Cruise control: I'm continuing to fly according to autonomous entry, descent & landing software. Countdown to Mars: 4 days!
Here are some more cool NASA folk on Twitter – check them out for updates on Curiosity’s mission, and keep following for more news about space, science and exploration:
NASA JPL - NASA Jet Propulsion Laboratory manages many of NASA’s robotic missions
NASA Social - Announcements on social media & for info about upcoming NASA Socials
NASA – the News from the National Aeronautics and Space Administration, themselves
Go, Science!
That we’ve ever been able to set anything on Mars’ surface, successfully navigate its terrain, take pictures from multiple angles then transmit them back them before our eyes on Earth is nothing less than astounding. And this Sunday, it can happen again. Unless something goes horribly awry – which is always a distinct possibility… but if it were easy, anyone could do it. My great respect goes to the entire Curiosity team and everyone at NASA for their work on this project.
Let’s hope all goes well for the Curiosity team this weekend.
What do you think? Will humans ever make it to Mars? Or Pandora? Did you ever fantasize about space travel? Are there aliens out there? Let us hear from you in the comments!
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