I experience music looping in my head on a regular basis, and I’m sure you can think of several times this has happened to you. I’m also a self-taught musician, having learned to play guitar by ear from an early age through careful listening, so, I have a hunch my brain is more active in the “melody-analysis” area, and that I’m prone to experiencing this more often (or at a higher volume) than others. This doesn’t affect my life in any huge external way — I carry on productively and engaged in most any situation. But in a moment of relative quiet, the internal soundtrack often cranks right up.
But Isn’t That What Vocal Hooks Are For?
I’ve found it’s usually key phrases from songs that stand out — like dramatic flourishes or expressive riffs. It’s not always the “pop hook” or vocal element that grabs me, and it can be any obscure track from any time in history, of any genre, not just so-called “popular” music specifically music designed to lodge itself in the brain.
And then, after a few hours… it’s gone. Maybe I’ve made an effort to listen to the track somehow and exorcise its hold on my spirit. Or, what was there before just gets replaced by another track.
Why Does This Happen?
Perhaps as early human cave dwellers, the ability to memorize sound served an evolutionary purpose. Hearing a growl in the distance might have prevented being eaten by a bear, so that would have been a good sound to repeat into memory for an advance warning next time. Or maybe hoofbeats in the distance signaled a tasty herd of beasts just over the ridge. I’m totally guessing, but it’s not implausible given what we understand about the fight-or-flight response.
What Do You Do?
I really wonder if there’s a course of action here. Is there some type of “resolution” or lesson to be learned — or does there even need to be? What purpose does having a song stuck in your head actually serve?
What do you think? Do you find that actually playing the song works to “release” the melody from your brain? Or do you find that songs usually dissipate on their own? Any guesses as to why this happens? Let us hear from you in the comments.
There are plenty of books on improving your writing, and here’s one that works immediately. It’s more direct than a thesaurus and is instantly applicable for deepening the breadth of your vocabulary in the moment, while you are writing. Whatever word you’re thinking of using, check it out in the ol’ Synonym Finder and you’ll likely find a better one — or at least get to thinking about other possibilities.
Since we all write with our own voices, it’s sometimes helpful to have a tool at the ready to infuse some color when called for, especially in moments of creative befuddlement. I borrowed this copy from my father before leaving for college, and reference it to this day. It’s definitely gotten use, hence the duct tape keeping the cover attached to the spine.
What do you think? Ever use a Synonym Finder? What else do you turn to for writing tools or inspiration? Let us hear from you in the comments.
Here are some songs I have been obsessed with lately. For one reason or another these tunes have been on repeat in my brain and in my iPod consistently the last several weeks.
“Baby Blue” by Badfinger
Ever since the final episode of Breaking Bad, like millions of other folks, I’ve been obsessed with this catchy tune by ’70s power pop rockers Badfinger. This track was the perfect music for the final moments of one of the best shows on television.
“Headache” by Frank Black
I first heard this song in the ’90s after Black’s band, The Pixies, broke up (now back together and touring), and I enjoyed the retro look of the video of the time. Little did I know, for some reason, I would want to hear the song over and over a decade later.
“In the Garage” by Weezer
I like the simple sing-song melody and declarations of what’s important: a 12-sided die, posters of KISS, and the safety a space like a garage can offer a creative spirit, something no doubt familiar to the members of Weezer, one of my favorite bands.
What do you think? What are some songs that have been in your head lately? Where do you go to discover new music? Let us hear from you in the comments.
Matangi & KISS’ Heaven’s On Fire on New Album
Listen to the first 5 seconds of both of these songs…
“Matangi” by M.I.A., 2013
“Heaven’s On Fire” by KISS, 1984
Cool, huh? Share this on Twitter!
What do you think? Ever recognized a sample? Are you a KISS or M.I.A. fan? Let us hear from you in the comments.
Note: The folks from Grammarly graciously offered to sponsor this post. I use Grammarly for proofreading online because it can free up more brain power for enjoying music.
Music is everywhere, especially when it has to do with our emotions. Music has the power to move us, physically and spiritually. It is familiarity and exploration simultaneously drawing from experience, atmosphere and energy… spatial points of reference blending in sound.
I discovered this book while browsing Audible randomly for something interesting a few weeks back, and I’m glad I did. I found it to be entertaining, well-articulated and just technical enough to make solid points but not so much that I became lost in scientific mumbo jumbo. The author, Daniel J. Levitin states:
“This book is about the science of music from the perspective of cognitive neuroscience – the field that is at the intersection of psychology and neurology.”
Levitin is an experienced producer and studio engineer, who came by his musical appreciation honestly – his father offered to finance a set of headphones as long as the young author promised to use them whenever his dad was home. Sounds like good parenting to me.
Levitin later went on to become a bona-fide brain researcher and Ph.D., incorporating his musical background. This qualifies him to explore what’s happening with the brain in relation to music.
— Daniel Levitin (@danlevitin) October 11, 2013
Consider how something as instinctive as “groove” works. Levitin notes: “when we talk about a ‘great groove’ in music… we’re talking about the way in which beat divisions create a strong momentum. ‘Groove’ is that quality that moves the song forward. When the song has a good groove, it invites us into a sonic world we don’t want to leave.”
That’s a pretty darned good description of groove, right there.
Beats and melodies, grooves and lyrics, disconnected ideas forging a shared energy… what happens with music is happening in our brains. So many areas of our consciousness activate together in a musical experience – like performance and interpretation happening at once. I’ve long believed music is the most powerful art form.
The book explores some of the author’s own, and other recent studies conducted on music, musical meaning, and musical pleasure, along with what’s happening in the brain in relation to music, from many perspectives – biological, physical, anthropological, and others.
“Music listening, performance and composition engage nearly every area of the brain that we have identified, and involve nearly every neural subsystem.”
This makes a ton of sense to me, since so many, many hours of my youth were spent listening intently to music closely, over and over, concentrating on untangling its secrets into something I could tap into and impart to others through a shared experience. It’s a beautiful thing, and this book illustrates some of the biological mechanisms that enable such magic. As a self-taught musician, I found it fascinating to consider all this from a physiological and evolutionary point of view.
Above: interview w/ Daniel Levitin on The Agenda with Steve Paikin
Levitin notes that “music is unusual among all human activities, for both its ubiquity and its antiquity.” I agree that there’s something primal about music, something as elemental as the air we breathe, as visceral as any vibration. Like the rhythms of a wind rustling leaves, hoofbeats on a plain, or a brook cascading among the echoes of a forest. It makes sense of the world through organization of energy, with the power to send us elsewhere and take us back home in our minds, something that has been happening since humans first started drumming on logs around a fire, continuing to this day in new and exciting forms.
“As our brains have evolved, so has the music we make with them, and the music we want to hear.”
Just think of a song you know, one that makes you tap your foot to the beat or sing along – maybe just the first melody that pops into your mind, maybe something you heard on the radio on the way to work… in a commercial… in college… last weekend at a friend’s house… years ago when you were just beginning to understand the world, or maybe love — what is that sound? It’s living in your brain right now and likely will be for a long time to come. This book can offer a new appreciation for that kind of art.
Update: author comments & recommendation!
— Daniel Levitin (@danlevitin) October 29, 2013
What do you think? Have you ever considered how music affects the brain? What do you consider an example of a song that takes you to a certain place? Let us hear from you in the comments.
Flannery O’Connor reading her short story “A Good Man Is Hard To Find”
My all-time favorite author, Flannery O’Connor, reads here one of my all-time favorite stories, A Good Man Is Hard To Find. It’s so interesting to hear the creator of such a widespread work (the story appears in many college “English 101” college compilations) reciting her own creation.
A Southern Accent
I know many people who sound exactly like this around where I’m from. To me it sounds comforting. And that’s saying quite a bit, considering how disconcerting the subject matter of the story is.