What appeals to me most about surrealism is a sense of connection and transcendence – or even just the possibilities of their taking place. I think we’re all looking to transcend in some way, to explore or become part of something outside ourselves. And yet mostly we go about our routines amid similar scenery so much that our days can seem to blur into one another.
I like to think of my art as an expansion or slowing down of time, taking a focused approach to those moments where ordinary elements from our regular experience become magnified and juxtaposed in ways that achieve transcendence on multiple levels – from the first sighting (“oh, hey, that’s cool”) to a deeper study (“woah… what is that???”) – so that my compositions not only bring dissociative elements together, but also offer deeper appreciation of elementary surroundings. And then all this coalesces in viewers’ minds in fashions unique to individual experience and interpretation. I’ve actually seen it take place in real time when I’ve shown my work, and it’s a great thrill to get completely unique reactions from others looking at my art, something I’ve put together on with my own hands, using pieces of my own ordinary scenery, magnified and blended with any number of disparate elements from all over the country. To me, that’s the ultimate and most rewarding transcendence, maybe even happening right now.
The above is a quick rundown of my thinking on and appreciation for surrealism that I wrote for surrealism.co, where I am a featured artist, among many other wonderful creators. The goal of the site, in its own words, is “to promote contemporary surrealism and surreal artists. Whether it’s Pop-surrealism, visionary art, psychedelic, or dark art, we love fantastic art.”
And just for fun, here’s a live version of “What I Like About You” live from 1980 that seems a bit surreal with the random crowd footage.
My photo, “Summer’s Requiem” is one of the
5 best black & white mobile images of the year at Flickr – woohoo!
Well, this is quite an honor. Of the billion+ photos uploaded to Flickr in 2014, one of mine was in the mobile top 25 according to the Flickr blog (#14, shown below), along with 24 other really great images — and one of only 5 black and whites. Thanks, Flickr!
On the first day of fall, I was headed into a building for an early morning appointment. I looked down and noticed this leaf with the morning dew when walking in, but did not get a shot. After the appointment, it was still there with the glistening morning dew, and I stopped in my tracks so as not to miss it. The heart-shaped leaf and tear-like droplets framed by the concrete sidewalk all made the perfect metaphor at the changing of the seasons: happy reflections on the season past… maybe even sadness at its passing. But ahead of that: lovely things to come. To me, the best compositions are musical; you can almost hear them hum when you study them. So naturally, this would be a requiem. I converted to grayscale, added a slight vignette at the top and sharpened just a bit to highlight the macro-vision detail of the leaf’s veins, amplified by the water.
Thanks again for this incredible honor. Go follow me there and follow the Flickr Blog for a regular curated stream of consistently cool imagery.
One good thing about rainy afternoons is how the ordinary can take on more beauty. Here’s a snapshot of a tree I noticed in the post-rain haze of my neighborhood. It takes on new depth thanks to the Dynamic Light app’s “solarize” function and some finishing touches with the TtV Photo Studio app.
Update: We Made Flickr’s Explore Page!
About 24 hours after this post, I visit the source image at Flickr to respond to any comments, and whaddya know: it’s featured on Flickr’s Explore: Recent Photos gallery!