From today’s afternoon walk around town. Shot via iPhone using Hipstamatic with Libatique 73 lens and Ina’s 1969 film. Full-size version over at Flickr.
My photo, “Summer’s Requiem” is one of the
5 best black & white mobile images of the year at Flickr – woohoo!
Well, this is quite an honor. Of the billion+ photos uploaded to Flickr in 2014, one of mine was in the mobile top 25 according to the Flickr blog (#14, shown below), along with 24 other really great images — and one of only 5 black and whites. Thanks, Flickr!
Here’s what I say about this image at its page:
On the first day of fall, I was headed into a building for an early morning appointment. I looked down and noticed this leaf with the morning dew when walking in, but did not get a shot. After the appointment, it was still there with the glistening morning dew, and I stopped in my tracks so as not to miss it. The heart-shaped leaf and tear-like droplets framed by the concrete sidewalk all made the perfect metaphor at the changing of the seasons: happy reflections on the season past… maybe even sadness at its passing. But ahead of that: lovely things to come. To me, the best compositions are musical; you can almost hear them hum when you study them. So naturally, this would be a requiem. I converted to grayscale, added a slight vignette at the top and sharpened just a bit to highlight the macro-vision detail of the leaf’s veins, amplified by the water.
Thanks again for this incredible honor. Go follow me there and follow the Flickr Blog for a regular curated stream of consistently cool imagery.
Related articles across the web
Young boy takes an interest in an older gentleman’s drawing of a sculpture. Metropolitan Museum of Art, NYC.
I snapped this earlier in the year on a visit to the museum. The man was rendering a highly detailed drawing of a sculpture when the boy stopped to check it out. It was great seeing the man directly engage the boy’s curiosity – two personalities growing for a moment toward each other, through art.
Shot with my iPhone 5 via Hipstamatic.
Important: My vehicle was NOT in motion when this was taken! In fact, this was during a total standstill, which happened to afford a glimpse of resting gulls amid a view of leading lines in reverse juxtaposed with a pause in forward motion. Briefly. Shot with my iPhone, processed with the TTV Photo Studio app.
I dig the convergence of technology and time here in one brief second, now extended to the world and infinity. Here’s a snapshot of one of our modern photographic ancestors I modified with the amazing ToonPaint iPhone app, after shooting with Hipstamtic (a modern-retro simulator, no less). I found the camera at a sweet vintage shop called “Ideas” on Burke Street, Winston-Salem, NC.
What do you think? Do you see a connection between analog cameras and today’s mobile photography? What apps or camera discoveries have you made lately? Let us hear from you in the comments.
One good thing about rainy afternoons is how the ordinary can take on more beauty. Here’s a snapshot of a tree I noticed in the post-rain haze of my neighborhood. It takes on new depth thanks to the Dynamic Light app’s “solarize” function and some finishing touches with the TtV Photo Studio app.
Flickr’s “Explore” galleries are curated collections of 500 select photos each day. Considering the site gets photos uploaded by the thousands every minute, that’s very flattering. Other categories include “The Commons,” and “Galleries” – and all are fun ways to discover interesting new art and artists.
What an honor – thanks, Flickr!
What do you think? Have you ever been inspired to turn the ordinary into art by way of a rainy day? What are your “go-to” apps for photo editing? Let us hear from you in the comments.
Instagram, meet your ancestors: an exhibit’s digital version bridges the generations of old school photo manipulation and our social media-fueled image sharing obsessions.
There’s an astounding display of pre-computer-era photomontage and photomanipulation now exhibiting at The Metropolitan Museum of Art in New York City: Faking It: Manipulated Photography Before Photoshop. It’s got everything from vintage trickery to surrealist expressions, all done before the advent of digital tools like Photoshop. In a beautiful irony, the exhibition is made possible by Adobe, makers of the Photoshop software.
But you don’t have visit NYC to see it…
What’s amazing to me, and what inspired this post, is that there’s an equally astounding digital representation of the works available for your browsing pleasure – more than 200 in all. Online, for free. Which is pretty darned sweet.
An innocuous “Works in the Exhibition” link just above the fold at The Met’s website takes you to an incredible look at what’s inside. I call it incredible not just for the content (which is beyond incredible to me), but because it exists online for our easy perusal and sharing. I’m thrilled not only to see such amazing art here, but also to see The Met’s embracing of the digital community in order to promote the exhibit.
The site features an elegant photo slide show, complete with sharing functionality to Pinterest, Tumblr, StumbleUpon and other networks. They even offer hi-res jpegs of some of the works for extra-close viewing or downloading via fullscreen mode.
There’s an app for that, of course
Perhaps you would prefer to view these works on your iPad? No problem. The free iPad app accompanying the exhibition offers easy browsing of a handful of the included works and an interactive quiz exploring the motivations and techniques.
The app’s target audience seems to be the kids, and I bet this would make a fascinating case to a young creative mind about the power of photo manipulation as art and the importance of questioning what we see – with the latter becoming ever more important considering the issues raised by digital photo editing and popular notions of beauty.
More than just “fakes”
Long before Instagram or Photoshop, there was darkroom wizardry. What got me interested in the exhibit in the first place was its inclusion of amazing photomontage art from the likes of Jerry Uelsmann (my all-time top inspiration) and Angus McBean:
In my opinion, the app and companion website add tremendous value to the whole endeavor, allowing people to connect and interact with historically relevant art in ways that are common these days because of experiences like Instagram, Pinterest – and especially Photoshop. Huge props to Adobe for sponsoring this.
— metmuseum (@metmuseum) October 19, 2012
Thanks to the Met’s generous actions in the digital realm, I’m even more inclined now to physically visit the museum, see these works in person and probably buy a catalogue in the meantime (and speaking of catalogues, check out these other more than 300 Met Museum catalogues downloadable for free).
Having been a graphic artist for many years, I’ve practically lived in Photoshop as an operating system, and working there is my favorite part of design, more so than typography or arranging layouts.
I’m happy to have signed up for a My Met membership thanks to this excellent digital representation, and I’m looking forward to seeing more of what’s to come – something I hadn’t much considered until discovering the online component of this exhibit. Props to The Met for harnessing and embracing the power of the Internet for cultural benefit. Now go visit The Met’s site, metmuseum.org and discover something cool for yourself.