Two unrelated moments make sense for a moment here. This is made from a photo of a faux stone figurine of a child sleeping, from Pier 1 Imports, in Greensboro, NC (taken with Hipstamatic John S. lens & Rock BW-11 film), along with a photo of a steel pole with peeling paint in the Church Street Parking Deck, in Winston-Salem, NC. I used Photoforge2 to combine the images via layers. The concept was inspired by my favorite photographer, Jerry Uelsmann.
What do you think? Have you ever combined two unrelated photographs for artistic harmony? What are some examples of this that you find inspiring? Let us hear from you in the comments!
From today’s afternoon walk around town. Shot via iPhone using Hipstamatic with Libatique 73 lens and Ina’s 1969 film. Full-size version over at Flickr.
Macro, close-up photography via smartphone opens a whole new world of detail and interesting possibilities for mobile photographers.
And for the more committed practitioners, I definitely recommend stepping up to the Olloclip macro lens.
I happened upon Olloclip’s booth at the SXSW trade show recently, and after a hands-on look at the lens and accompanying Quick Flip case (impressive engineering in its own right), I bought one on the spot thanks to the show special of getting a free case with a lens purchase. Gotta’ love trade shows.
The whole outfit is deliberately and intelligently engineered. The system is everything an accessory lens should be: easy, convenient, strong, affordable; and the case is really what sold me, since it solves for my major gripe of having to otherwise remove a case or deal with a less desirable alternative (such as an adhesive magnet, or just manually holding the lens to the iPhone). I also dig the futuristic, sleek design of the case — it has almost a cyborg-esque feel and even allows for tripod attachment.
Here’s a video review of the case itself:
And here’s a look at my first project with the Olloclip Macro lens:
Feather at Regular and Macro View:
These results speak for themselves. While there are a number of macro lenses available for smartphones, Olloclip has gotten it right at every level.
I’ve long been a fan of my previous macro lens made by Olloclip’s competitor, Photojojo, and at $20, it’s still one heckuva deal — a great way to get familiar with the possibilities of macro photography via smartphone. But for a bit more up front ($70 for the Olloclip macro lens), you get much more overall. Pair it with the Quick Flip case, and you’ll be set for some serious macro fun for a long time to come.
What do you think? Ever used an accessory lens for smartphone photography? Or for traditional camera photography? What’s a discovery you’ve treated yourself to lately? Let us hear from you in the comments.
As a young guitarist, I learned how to play by listening to my favorite songs and figuring out the riffs. As a young graphic designer, I figured out techniques by recreating ads and absorbing the principles of layout. I sought out the occasional tutorial and picked up things along the way, but a large part of what came to be my creative expression has it roots in studying and emulating the work of others.
That’s the approach I took recently with my growing photomontage fascination. Over the past few years I’ve been making photomontages with my iPhone and image editing apps like Photoforge2 and Dynamic Light. It’s been particularly rewarding when developing pieces along the lines of my favorite artists, one of which is the great Jerry Uelsmann.
So I was looking through one of my printed Uelsmann books for inspiration and came across this image:
I then decided to make it a weekend project to emulate the image in an attempt to gain experience and get closer to the techniques involved. Of course, apps and and iPhone are no darkroom and enlargers, but some fundamental composition principles carry over, as I discovered in creating my own version:
This consists of a view of the sky from downtown Winston-Salem, about 14 stories up; a house from Old Salem, (historical area of my city); my own hands, and my flannel-shirt-wearing self at sunset.I had some help on the portrait and hands shots with the CameraSharp app’s timer, along with a tripod.
I can say that it was at once freeing and challenging to work toward a specific vision, bringing these elements together. I make no claim to total originality here, since the idea is obviously Uelsmann’s, but I’m satisfied with how it turned out. I may yet use the elements in future compositions, and I will probably revisit the challenge again one day of emulating and learning from the masters.
What do you think? Have you ever created art after something or someone that’s inspired you? Do any other examples of this come to mind? Let us hear from you in the comments.
The iPhone app Dynamic Light by Mediachance has become one of my favorite photo manipulation tools. I create many black & white montages, and Dynamic Light’s unique filters (especially “solarize,” “edgy,” and “re-exposure”) almost always yield interesting results — either for montage fodder or even standalone images. It saves at full resolution, is very fast, and improves with each update. It adds an element of randomness to the photo editing process that I enjoy, yet its effects are actually very sophisticated, particularly for producing distressed or distorted-yet-recognizable treatments. I recommend it for anyone looking for a simple, yet very unique bag of tricks to add to their photo manipulating repertoire, for less than the price of a soda ($.99). Here are some before and after examples of my favorite filters:
Video: Dynamic Light in Action