What appeals to me most about surrealism is a sense of connection and transcendence – or even just the possibilities of their taking place. I think we’re all looking to transcend in some way, to explore or become part of something outside ourselves. And yet mostly we go about our routines amid similar scenery so much that our days can seem to blur into one another.
I like to think of my art as an expansion or slowing down of time, taking a focused approach to those moments where ordinary elements from our regular experience become magnified and juxtaposed in ways that achieve transcendence on multiple levels – from the first sighting (“oh, hey, that’s cool”) to a deeper study (“woah… what is that???”) – so that my compositions not only bring dissociative elements together, but also offer deeper appreciation of elementary surroundings. And then all this coalesces in viewers’ minds in fashions unique to individual experience and interpretation. I’ve actually seen it take place in real time when I’ve shown my work, and it’s a great thrill to get completely unique reactions from others looking at my art, something I’ve put together on with my own hands, using pieces of my own ordinary scenery, magnified and blended with any number of disparate elements from all over the country. To me, that’s the ultimate and most rewarding transcendence, maybe even happening right now.
The above is a quick rundown of my thinking on and appreciation for surrealism that I wrote for surrealism.co, where I am a featured artist, among many other wonderful creators. The goal of the site, in its own words, is “to promote contemporary surrealism and surreal artists. Whether it’s Pop-surrealism, visionary art, psychedelic, or dark art, we love fantastic art.”
And just for fun, here’s a live version of “What I Like About You” live from 1980 that seems a bit surreal with the random crowd footage.
As stated at its website:
The CLICK! Triangle Photography Festival celebrates the medium of photography and its cultural influence by engaging the (North Carolina) Triangle community with exceptional photo-based works and artists. The month-long festival in October brings together exhibitions and programming while fostering dialogue between photographers and community members, all in hopes of inspiring artistic excellence, supporting professional development and promoting community engagement.
My works are on display in The Frontier building as part of the inaugural showing, “In an Instant: The 2016 Click! Pop up exhibition,” with Chris Ogden as a juror. In following the Frontier’s Twitter and Facebook, I’ve noticed my pieces in the background at other events in the building, most notably the Women In Tech Summit:
— Cassady Channita (@CassadyChannita) October 1, 2016
— Rupa Pereira (@rupapereira) October 1, 2016
The festival includes a full month of photography events, shows, talks, and a keynote lecture by photomontage legend Jerry Uelsmann, my greatest visual art influence, whom I was fortunate enough to meet afterward at the Through This Lens Gallery following his talk at Duke University’s Nasher Museum of Art:
As one who appreciates and makes surreal photographic art, it’s wonderful to see and be part of a festival with such breadth, especially considering the inclusion of non-traditional photographic techniques like those pioneered by Uelsmann, whose work I revere. It’s also very cool to see my art on display via the magic of social media!
I’m constantly scanning for examples of inspiring art. Every so often, the work of a certain artist consistently demonstrates extraordinary talent and style — in a way that appeals to my fondness for surrealism. I’m a fan of a certain kind of art, and these creators absolutely blow me away with what they regularly produce. Have a look at their websites, seek them out on your favorite image-sharing network, buy their prints, and get inspired by their talent.
@rsmithing thx for the feature!
— Sammy Slabbinck (@SammySlabbinck) August 21, 2014
@rsmithing awesome, thank you very much! Hope all is well with you too
— Tommy Ingberg (@tommy_ingberg) August 22, 2014
Macro, close-up photography via smartphone opens a whole new world of detail and interesting possibilities for mobile photographers.
And for the more committed practitioners, I definitely recommend stepping up to the Olloclip macro lens.
I happened upon Olloclip’s booth at the SXSW trade show recently, and after a hands-on look at the lens and accompanying Quick Flip case (impressive engineering in its own right), I bought one on the spot thanks to the show special of getting a free case with a lens purchase. Gotta’ love trade shows.
The whole outfit is deliberately and intelligently engineered. The system is everything an accessory lens should be: easy, convenient, strong, affordable; and the case is really what sold me, since it solves for my major gripe of having to otherwise remove a case or deal with a less desirable alternative (such as an adhesive magnet, or just manually holding the lens to the iPhone). I also dig the futuristic, sleek design of the case — it has almost a cyborg-esque feel and even allows for tripod attachment.
Here’s a video review of the case itself:
And here’s a look at my first project with the Olloclip Macro lens:
Feather at Regular and Macro View:
These results speak for themselves. While there are a number of macro lenses available for smartphones, Olloclip has gotten it right at every level.
I’ve long been a fan of my previous macro lens made by Olloclip’s competitor, Photojojo, and at $20, it’s still one heckuva deal — a great way to get familiar with the possibilities of macro photography via smartphone. But for a bit more up front ($70 for the Olloclip macro lens), you get much more overall. Pair it with the Quick Flip case, and you’ll be set for some serious macro fun for a long time to come.